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English Literature

by Sable

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1.
Emily 03:12
I don't wanna walk into this with my eyes closed But her smile has me feeling kinda wistful Like I lost too many years to care I love the way she dresses like the world is falling backwards And the only way to live is to be reckless Like she's compelling you to smile if you dare Money on the outside Hardy on the in When she kissed me I cried And she answered with a grin Middle of the dancefloor Smiling through the tears She's the one I adore Now she's the only thing I fear I found my self esteem round the back of my friend's house Drinking tinnies till the neighbours call the boys round Walking home as the sun appears Windows splitting up the party into boxes Made a front row for the scene of my first kiss Gave a bow as the night broke out into cheers Money on the outside Hardy on the in When she kissed me I cried And she answered with a grin Middle of the dancefloor Smiling through the tears She's the one I adore Now she's the only thing I fear Tripping over my words Never quite sure How to be the type of Person she'll endure I hope she treats me softly And when she lets me down I hope that she'll think fondly of the creature that she found Heart attacks from holding hands And waiting for her texts to land Playing pool as best I can With rolled up sleeves and farmer's tans The longest summer I ever had Thin white sheets and broken fans Seeing each night through the lens Of being drunk in love If I never had a happy life At least I can say that I tried To throw myself into the kinds Of situations that inspire The songs I sing at 25 That capture hope with all my might I gave them to the open sky And love without ever asking why Oh why Money on the outside Hardy on the in When she kissed me I cried And she answered with a grin Middle of the dancefloor Smiling through the tears She's the one I adore Now she's the only thing I fear Tripping over my words Never quite sure How to be the type of Person she'll endure I hope she treats me softly And when she lets me down I hope that she'll think fondly of the creature that she found
2.
Madonna 03:21
A picture of Madonna gazing down at her little boy Even when I was sixteen I knew it was the only thing that would bring me joy Now the world is hurtling towards some fiery end I couldn't bear to see my little girl cry so I bury it in a haze of cigarettes I say I couldn't give up the freedom I say I want to dance until I die I say I couldn't give up the freedom But two steps back I die again Her face behind my eyes again I say I couldn't give up the freedom I say I want to dance until I die I say I couldn't give up the freedom But two steps back I die again Her face behind my eyes again Two step beat and I'm fine again Know how to trick my mind with a little foresight Heart only breaks every now and then I know I'll be alright if I dance until I die It's sustainable in a city like Berlin Where everyone pretends they're 25 (and the nights keep us alive) Two steps back I die again Her face creeps back behind my eyes I say I couldn't give up the freedom I say I want to dance until I die I say I couldn't give up the freedom But two steps back I die again Her face behind my eyes again I say I couldn't give up the freedom I say I want to dance until I die I say I couldn't give up the freedom But two steps back I die again Her face behind my eyes again I say I couldn't give up the freedom I say I want to dance until I die I say I couldn't give up the freedom But two steps back I die again Her face behind my eyes again I say I couldn't give up the freedom I say I want to dance until I die I say I couldn't give up the freedom But two steps back I die again Her face behind my eyes again
3.
Interlude 01:26
My body doesn't feel like my body My skin doesn't sit right Lick my lips, feel the kiss of the cold wind Skipping cracks in the pavement Couldn't handle seven years of bad luck again Another penny in the pocket of the big man Another day lost to someone else's great plan Another way in which I can't seem to get my head screwed on right I've been dreaming of the summertime The kind you lose when you hit 25 Full of blank slates and great debates And kissing strangers in the moonlight Oh I just wanna write songs in the summertime Just wanna find a way not to waste my life
4.
Dedalus 03:14
I keep one eye on a pale moon rising and the other searching for the sea Hulking great towers looming over London cut the light as you rage for me You treat kisses like a currency To buy a pass for bad behaviour You think that pain is the price for ecstasy Cash it in now, you can save mine for later And I tried to keep you off my mind But you said you weren't alright And I couldn't keep from rushing back Now you want to dance with me, boy Now you want to dance with me again Now you want to dance with me, boy Now you want to dance with me again I keep half my heart back home in Manchester, the other half right under your heel Late night your spotlight shines into my eyes and I hardly feel real How you gonna, how you wanna, how you gonna treat me like that How you gonna, how you wanna, how you gonna keep me like that How you gonna, how you wanna, how you gonna treat me like that no Keep me like that no Treat me like that Now you want to dance with me, boy Now you want to dance with me again Now you want to dance with me, boy Now you want to dance with me again Now you want to dance with me, boy Now you want to dance with me again Now you want to dance with me, boy Now you want to dance with me again
5.
I could wrap you up I could call you mine I could I could pull a gun I could draw a line I could I could decide tonight that no-one ever sees me again Set the walls alight and let the last thought tear through my brain I could choose someone other than myself for once Call your bluff next time you say I'm good enough I could fling the windows wide to hear the bells for once I could let you see me cry so you could help for once I could ask for you to stay I could ask for them to go I could sit with you for hours Right here in our little home I could, but I won't I could, you know I won't I could, I could, I could I could play the saint All dressed in white I could I could talk in tones Bring you back to life I could I could decide tonight that I won't ever make you angry again Take the weight of my words and cast them back till they fall on my head I could be someone other than myself for once Call your bluff next time you yell I'm good enough I could paint my face up nice and be the girl you want Could just let you see me cry so you can help for once I could ask for you to stay I could ask for them to go I could sit with you for hours Right here in our little home I could, but I won't I could, you know I won't I could, I could, I could Ooh remember running mental laps around my heart Ooh as the sun reflected petals through your yard Ooh remember when I wouldn't speak And still you thought I was The type of pain you need Ooh remember just how close you flew up to the sun to try and reach me Now everyday we find another little way to hate each other And each time you stay I find another fucking reason I've realised That I just can't Live without you

about

“English Literature” is the second EP from Manchester-born, Berlin-based producer and songwriter, Sable. Inspired by three years studying History and English Literature at university, the five tracks take literary archetypes and transpose them into a modern context.

“Emily”, named after American poet Emily Dickinson, is the lightest of the set, exploring the giddy energy of a new relationship as the protagonist explores her sexuality for the first time. “Madonna” grapples with the question of motherhood in a time of climate crisis, exploring the psychological turmoil of choosing not to have children, despite having always seen it as the ultimate goal. "Interlude" is a dreamy, swelling synth track that dives into the discontent of growing older and seeking something greater than a 9-5. “Dedalus” draws on James Joyce’s use of cities as characters, using the harsh lines of the London city skyline as a metaphor for romance that steals love without offering anything in return. “Madwoman in the Attic” is an ode to the madwomen of literary history - women whose mental health and unhappiness has been leveraged to paint them as villains. Each track interweaves the literary tropes with personal musings and memories, in line with Sable’s characteristically confessional songwriting.

Working with drummer Mike Monaghan, the EP takes a lighter, more organic turn when compared to Sable’s debut release, “Kitchen Sink”. Building luscious synth soundscapes, studded with glistening guitar lines provided by Premium Leisure’s Chris Barker, the sound is dreamy and full of air. Pulsing basslines and post-dub inspired drum breaks at times creep in, referencing Sable’s current home of Berlin, but their presence only serves to emphasize the warmth of the pads and rich vocal harmonies.

credits

released December 2, 2022

Writing + production: Sable
Drums + percussion: Mike Monaghan
Guitar: Chris Barker
Mix: Grace Banks
Master: Queer Ear Mastering

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about

Sable Berlin, Germany

Walking the line between Northern English romanticism and Berlin club culture, Sable is an electronic music producer and songwriter with a focus on the everyday and the intimate.

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